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In the drawing I explore images of the imagination, experimental fields of sensuality as smallest memories of ideas and thoughts. It is a world in the brain even if they are micro-worlds, micro-systems perhaps, they reflect individual constructs and intentions and reflect the outside inward through the thought strokes, illustrating that the experienced wants to be continuously reformulated. The interest is in the provisional and ephemeral, the approach from the imagination to the visible, the actually indescribable. It is not the repetition of the tried and tested, but rather the work in the uncertain, without the certainty of success that interests me: the free fall of creation.



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